GRIEVING AND GROWING POTATOES

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by Kevin L Miller

Dad died six weeks ago. I had been with him and Mom three days every week until his last, and then it was every day. Somehow I still managed to plant my garden in April and May, because I had already prepared the 16 big raised beds with amended soil last summer. But as the needs of my 88 and 91-year-old mother and father increased, there was no time for the garden. And when Dad died, it was time to plan and execute a huge memorial service over a period of a month. He was an ordained minister, educator, dean, vice president, and university and seminary president in our little subculture, The Church of the Brethren. He was well known and highly respected. More importantly, he was a saint – a deeply good, humble, generous man – and everyone loved him. Over many decades, thousands looked to him as their mentor, role model, and friend. So did I, especially during these final years, when he was so accessible and open. I am doing my best to help my poor mother cope with her bewilderment and grief. Three weeks from today would have been their 69th wedding anniversary. They knew each other for over 70 years and were devoted to one another. Dad utterly worshipped my mom, and she was born to be adored. It was and is my privilege and honor to serve them as they come to the end of their lives on earth.

Sadly, some things just aren’t getting done. The wild berries on our 12 acres in the woods were not picked this year — at least, not by us — and the weeds took over my garden. I ventured into that jungle just a week ago to see if anything could be salvaged. There may yet be hope of some yield of okra, heirloom tomatoes, carrots, cucumbers, squash and pumpkins. Maybe a turnip or two. And I still have lettuce. But so many other crops failed due to neglect, bugs and weeds, and the garden is generally in tatters.

I myself have been feeling at loose ends lately. Now that Dad is gone and the big memorial service and luncheon are over, what’s next? The answer is obvious: I promised Dad during the final moments of his life that I would take very good care of Mother, just before she arrived at his bedside to stroke his cheek and tell him how much she loved him, as he took his last two breaths and left us. He waited for her… and he is waiting now. Mother is relatively functional, but needs lots of help anyway, because her memory is disappearing quickly, and she has serious medical conditions, tons of medications, and weekly doctors’ appointments to be managed. We play Scrabble and Boggle when we can, and she almost always beats me resoundingly. She was a school teacher and an editor of children’s text books. The creeping dementia has not yet taken hold in her language centers, but she cannot remember her best friends’ names or her two stays in the hospital last summer, or who came to visit yesterday. I serve as her memory now.

But sometimes I wonder what comes after this intense period of getting to know both of my parents so much better than ever before. It continues to be a profoundly valuable education. I had already discovered that when one spends time with high souls who are approaching death, the veil between the two world becomes thinner and eventually almost transparent. Sometimes the curtain is drawn back and allowed to flutter in the cosmic breeze for just an instant. Then, occasionally, it is possible to catch a glimpse of Heaven. There were holy moments like that with my father, and I’m sure there will be with my mother as well. But I ask myself, after all of that is over, what will I do with the rest of my life? Then I’m embarrassed by the question, because all is well. I’ve had a productive career. I am happy and content. The world may be collapsing around us, but nothing is amiss for me. Surely, it’s not so much about WHAT one does with one’s life as HOW one does it. Still, there is a feeling of potential… some impending destiny or assignment or adventure just around the corner. I’m having visions of paintings again. Maybe that’s it.

The first time I visited my overgrown garden, I noticed that my once lush 4 x 10 ft potato bed was completely devoid of greens where there had been a thick cover of them just weeks before. I assumed insects or animals must have destroyed all the potatoes. Then it rained hard a few times, and I spied some round tops of potatoes sticking up through the bare soil. So this morning I went into the garden with my three potato spades and began excavating. Two and a half hours later I had a very respectable box of potatoes ranging from smaller than a penny to baking size. Whereas I had recently assumed the potato patch was a total loss, I was fascinated to discover that a lot of the potatoes were growing much deeper than I had thought. I settled into the dirt and really began enjoying my search for hidden treasure. I noticed that some of the best and biggest potatoes were pressed up against the walls of the raised bed, as if they wanted to challenge the boundaries of the potato universe to expand their own individual identities. I couldn’t help thinking what a fine metaphor this potato bed was for life and the development of consciousness in general. I had thought that nothing was happening in the potato patch while I attended to more pressing duties, privileges and honors — taking care of my beloved parents. But it turns out that potatoes of many different sizes and types were growing there secretly, unseen beneath the surface, all along.

So, I’ve decided not to worry about what comes next. I’m happy in the present moment, doing what I am doing now, and isn’t that what matters? While I was sitting in the dirt digging out those potatoes in the sun, I was convinced that no other activity could possibly be more satisfying or fulfilling than finding potatoes in the ground. I could have done that for the rest of my life. And perhaps I will. But maybe… just possibly… some of those more mysterious potatoes growing deep under the surface and pressed up against the walls of their world… some of those unruly potatoes might contain surprises. In fact, if the past is any kind of template, they almost certainly will. But if not, I’ll be happy just digging in the dirt. After all, I realized after two and a half hours of hard labor had yielded $15 worth of produce, that it was not the potatoes I needed… It was that invaluable time in the dirt.

 

 

HOW TO WIN THE 2016 ELECTION – Don’t Repeat the Nevada Democratic Convention Debacle!

by Kevin L Miller

It’s a gorgeous May in South Central PA, where I have been truly enjoying the preparation and planting of my 16 large raised vegetable beds, while reading and listening with increasing alarm to reports of the sudden split of the Democratic Party into two factions, following the disastrous Nevada State Democratic Convention on Saturday, May 14, 2016, in Las Vegas. Yesterday I planted a lot more tomatoes, okra, zucchini, melons and eggplant on our acreage that is closer to our Trump-loving neighbors here in the woods. Then I devoted yet another hour to reviewing many different videos of the Nevada Democratic Convention debacle. Google “Nevada Democratic Convention videos” and look at any of them that are not edited by conservative organizations. The footage has gone viral and leaves no doubt that the establishment Democrats in Nevada royally screwed the Bernie Sanders constituency.

The result is that the emerging division between Bernie’s Social-Democrats and Hillary’s Centrist-Democrats has suddenly deepened and polarized, so that hundreds of thousands of Bernie’s supporters are now shouting “Hillary NEVER! Bernie FOREVER!” They will NOT vote for Hillary now, and this puts the nation and the world in peril of a Trump presidency, which would be, quite simply, the beginning of the apocalypse. How did we get to this sorry state? The Democratic Party establishment lacked the imagination to recognize and embrace the mushrooming revolutionary movement within their ranks. Instead, Debbie Wasserman-Shultz and the establishment, dug in their heels, lectured and scolded the Sanders campaign and supporters, and ultimately misused all their rules in an attempt to silence and subdue the Social-Democrats. This is not the way to heal wounds and achieve reconciliation.

All it took was one filmed and well-documented State Democratic Convention (it happened to be Nevada) to inflame and enrage the Social-Democrats, and the party split in half — or nearly so. At this point, the division may be 3/5 Centrist-Democrats vs 2/5 Social-Democrats. Of course, that split would be enough to cause Democrats to lose the election to Donald Trump, and the schism will likely become closer to 50/50 as the election season rolls on, especially after the impending spectacle of the Philadelphia Democratic Convention which promises to be cataclysmic.

To be clear, no one can condone the behavior of either faction at the recent Nevada Democratic Convention. All reasonable people certainly condemn the implied death threat phone calls made by a few extreme Sanders supporters to Democratic officials, and deplore the fist fights that reportedly may have broken out on the floor of the convention. Violence is never the answer. Never!.. BUT… after watching the videos of the abusive antics of Chairwoman Roberta Lange on the floor of the convention, and reading the accounts of the repeated massacre of Robert’s Rules of Order and the convention’s own rules, any rational person has to understand the rage and profound frustration of the Social-Democrats at that event, and the subsequent bitterness.

In Nevada, the Democratic establishment met secretly, without consulting the Social-Democrats, and changed the rules before the convention. They brought the rules change to the floor for a “Yea or Nay” vote, before a quorum was present. On the videos, when the Nays clearly had it, the very shrill chairwoman, Roberta Lange, nevertheless gave it to the Yeas. When a standing vote count was properly called for, she refused. When a point of order was called, she ignored it. When one of the Social-Democrats politely petitioned the chair for the time to read their minority report, the chair denied them that right, after also ignoring their petitions. Then a slate of 64 contested Sanders delegates was rejected, against the screams of the crowd. And finally, the chair, discarded Robert’s Rules of Order, moved abruptly to adjourn amidst the roar of NAY, and did so, slamming the gavel down on the podium and storming off the stage, which was protected by a line of gray-uniformed big burly armed police who looked for all the world like the Gestapo. The screaming crowd was instructed to leave immediately. These videos have to be seen to be believed. The Democratic establishment’s behavior was completely outrageous, out of line, and undemocratic. While no one can condone any threats or violence perpetrated by the Sanders supporters, anyone who reviews the videos and written factual accounts will completely understand the frustration and rage of the Social-Democrats.

One video records Barbara Boxer’s presentation to the convention. A personal note here: I’ve always adored Barbara Boxer. She looks wonderful, by the way — never better — and her hair and outfit at the Nevada convention were magnificent. She now adds a beautiful, magnetic presence to her obviously superior intelligence and substantive professionalism. I can’t help speculating that she may be positioning herself for a VP nomination. But her approach to the raging convention after Roberta Lange and convention officials had already enraged the Sanders constituency, was NOT cool: “I’m a Hillary supporter. We have the votes! We have victory! Yay!… (loud booing from the crowd) Keep on booing, and boo yourselves out of this election!” It gives me NO pleasure to report this, because I have always been an enthusiastic Boxer supporter. I attended one of her fund raisers at a wealthy private home in southern CA many years ago and met her and bought one of her T-shirts, which I wore proudly for many years. I have very recently mentioned her name several times as one of my personal choices for VP. But she handled this very badly. Basic psychology tells us that such an approach is not the way to win friends and influence people. And it is emblematic of how far the Hillary-supporting Democratic establishment has to go to get to a place where they can reconcile with the Bernie Sanders people. This is NOT good! This approach is exactly the way to hand the election to Trump and kick off the apocalypse. “Yay!…” as Boxer would say.

What is fascinating about our current election is that in the three remaining candidates we have the whole political spectrum. On the extreme right is the fascist authoritarian tyrant Donald Trump. On the far left is the Social-Democrat Bernie Sanders. And smack dab in the middle is the Centrist-Democrat, Hillary Clinton. At this moment no one has any idea who is going to win the general election, because it now appears that all three of these figures are going to remain on the public stage right through the November election, although one of them, probably Bernie Sanders, will not be an official candidate. He is going to get very close to the Democratic nomination, and his supporters will say that he would have won it, if the Democratic primary system had not been rigged and the many super-delegates, pre-selected and pre-committed by the Democratic Party establishment, precisely to prevent an insurgent like Sanders from succeeding. It is likely that Senator Sanders will continue campaigning for a grass-roots political revolution right through the election, in order to keep pulling Hillary Clinton to the left and win in principle if not in fact. The louder her supporters demand that Bernie leave the stage, the larger his crowds will grow.

So, how does anyone WIN this election? Well… If the factional rancor continues as it is developing now, all Trump will have to do to win is sit back and laugh while the Democratic Party splits in half. Democrats have to hope and pray that it is not too late for the Democratic establishment to make nice and offer concessions to the Social-Democrats, or all of us are going to suffer the terminal illness of a Trump presidency. First of all, people like Harry Reid and Barbara Boxer and Debbie Wassermann-Shultz, true liberals in the Democratic establishment, need to STOP lecturing and scolding Bernie’s campaign and his supporters and address them with the respect and deference due a huge constituency within their party, rather than treating them like naughty children who are being disrespectful to their parents’ authority. You can’t reconcile with somebody by berating them.

Then, frankly, the Hillary Clinton campaign needs to co-opt Bernie’s revolution and take away any reason for his supporters to resist them. The Democratic establishment should remove Debbie Wasserman-Shultz from the equation, because she has become a lightning rod in this conflict. They need to reign in the authoritarian voices within their ranks, and they need to change the rules around super-delegates, allowing them to be apportioned according to the popular vote, rather than committed in advance — in many cases long before Bernie ever declared his candidacy. Then Hillary needs to simply adopt Bernie’s playbook, lock, stock and barrel, exactly the way her husband Bill did with all of his opponents to win elections. He proved it works! Finally, after adopting all of Bernie’s positions, Hillary needs to offer him the VP slot on the ticket, whether he takes it or not. If these things were to happen, Bernie and his supporters could declare victory, and Hillary would win the election and send Trump back to his gilded Manhattan cage. There is still hope, if the Democratic establishment can grow the balls and imagination required to to embrace Bernie’s revolution.

But, let’s face it… That’s not likely to happen. It’s not human nature. And although Bill Clinton is probably a highly respected voice within his wife’s campaign, I doubt that she or her operatives have what it takes to see that they need to do exactly what he did to win elections, and steal all the thunder from the opponents by co-opting their messages and swallowing them whole. No… the rule of the day is dogmatic polarization, whereas Bill Clinton’s co-opting tactics require vision that goes far beyond compromise. It is very likely that the Democratic establishment will circle the wagons and become even more authoritarian and abusive with the existing rules, in the mode of the chair of the Nevada Democratic Convention. This will enrage and drive the Social-Democrats even farther away from the established Democratic Party and any hope of supporting Hillary in the general election. The Philadelphia Democratic Convention will now inherit the once-predicted fate of the Cleveland Republican Convention, and become an absolute madhouse of rage and conflict. The Democratic Party will emerge badly damaged and split. And Trump is likely to win the election. The END!

P.S.: By the way… I have not changed my mind. I voted for Bernie in the PA primary, and I am still supporting him and his positions. But if Hillary, or Daffy Duck, or a fence post, wins the Democratic nomination and remains the strongest alternative to Trump in the polls, then I will vote for that alternative that has at least some chance of defeating Trump and averting utter global disaster. But there is now some slight possibility that even if Hillary wins the Democratic nomination, she may not emerge by election day as the strongest candidate against Trump. Anything can happen now. A Trump presidency would be an unmitigated disaster for the U.S. and the world. The Democratic Party establishment must step back and get real about the heroic surgery they will now have to perform if they are to heal the gaping wounds within the progressive electorate body, and win this election.

 

ELDERCARE – Can’t We Do Better?

by Kevin L Miller

Recently the well-respected “full service” retirement community where my parents are living into very old age, asked me to participate in their “customer satisfaction survey,” which turned out to be a perfunctory and shallow questionnaire about surface appearances rather than the real life experiences of the residents. Our family has found it absolutely essential to provide a family member advocate and caregiver on campus for eight hours per day, at least three or four days per week. Even with our involvement, major medications are missed, essential dietary guidelines are violated, and doctors’ orders are violated or overlooked. But those problems are minor in comparison to the heartbreak our parents are experiencing due to being separated after 68 years of marriage. So, I wrote a letter to the retirement community in order to give them real customer feedback and ask them, “Can’t we do better?”

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Why am I writing to you?

Yesterday one of your research associates called to interview me for your Customer Satisfaction Survey. As the son of two prominent residents, and friend to many others in that community, I have been very involved in advocating for my parents’ care and quality of life over the last several years. This experience has challenged me to think deeply about the issues you are facing in serving my parents’ needs, and some challenges you and the entire eldercare system, along with associated medical and living services, will have to grapple with in the future to offer eldercare to the next generation target markets, which may have very different circumstances and needs. I indicated to your interviewer that I would be happy to offer a much longer, in-depth interview by phone or in person about these expanded observations and implications. She invited me to write you a letter. So here it is:

1. Life-long lovers & companions separated after 68 years of marriage… How can this be right?

Seven months ago in August our family gathered in my parents’ large independent living apartment at the retirement community to celebrate their 68th wedding anniversary. Even then, we knew that a week later Dad would have to move into the skilled nursing facility (which the residents call “the hospital”) because he has advanced Parkinson’s Disease. The combination of Mom’s presence, family help, and in-home unskilled aides was no longer sufficient to safely and effectively care for him. So, on Aug 31, 2015, after 68 years of marriage, our parents were separated.

Before that day Mom had never lived alone for even one day in her life. Dad lives for her, and since his move into skilled nursing he has not stopped asking to return home to be by her side. Despite serious health issues of her own and great difficulty walking, Mother spends every morning and afternoon with Dad. I am there full time, three days per week. Other family members and large numbers of friends visit frequently. But our parents are heart-broken. Dad feels that he has fallen into a “trap from which there is no escape,” and our entire family is engaged in a constant racking of our collective brains to try to find a better solution. So far we have failed.

Could your retirement facility lead the way to innovate new models of eldercare that would allow couples to remain together even when they each develop very different kinds of care needs?

Confession and apologies

Here I must confess and apologize for the fact that I have precious few answers or solutions to offer regarding these very difficult challenges. But I think my family and I do have some sense of the kinds of questions that are important to ask at this juncture in the history of American eldercare, and more to the point, at this stage in your institutional mission. These are questions about what people need and where it hurts. They are questions that point to an evolving society and economy with rapidly changing requirements. How will you and other eldercare institutions survive the tsunami of change that is coming? The question above about separating life-long lovers is one piece of the puzzle. Here are some other questions:

2. How can you maintain the highest possible quality of life and sense of autonomy for residents after they become physically invalid, lose their short-term memory, and/or succumb to dementia?

Dad lives in the present moment with no memory of the recent past, but he has a strong mind in many other ways. He frequently asks where he is and does not understand why he cannot be with Mother. If he had the ability to retain a basic understanding of his current situation, it would be so helpful, but he can’t.

Yesterday I finished reading aloud to Dad and Mother his entire 242-page autobiography about the part of his life that he DOES remember — his excitingly active life and brilliant career as a minister, college professor, dean and vice president in four colleges, and eventually president of a Los Angeles university and finally president of Bethany Theological Seminary. It’s a riveting book. Everyone’s life is a riveting book! Dad is lucky. He has family with him for four hours every day and many other visitors come as well. I notice that the others on his ward seem to receive very few visitors. Some sit in their wheelchairs in the hallway, eyes glued to the locked entrance, hoping to see a familiar face, or figure out a way to escape. Many are abandoned and alone. Dad is dissatisfied with his current situation, but many of his neighbors are hopeless and bitter. Again, Dad is one of the lucky ones.

How can eldercare institutions raise the quality of life for all residents, including the less fortunate abandoned ones?

3. How can your excellent staff be empowered to enrich the lives of the residents?

All the residents in Dad’s “hospital” ward live in a beautifully appointed warehouse where they are tended by very kind, well-meaning, efficient and even loving staff members who do not have enough help to give each individual the attention s/he deserves. Some of these staff members are really stellar: The head nurse is a saint — always smiling and generous, no matter how much chaos descends upon her. Several certified nursing assistants are like that too. And one big guy is truly wonderful with our Dad who says of this gentle giant, “We pall around a lot. I like him.” One day when  he came to Dad’s room to walk him to supper, he asked Dad if he was ready to eat. Dad replied, “Yes, but I’d rather sit and talk with you.” Of course, that’s not possible. The gentle giant is constantly in demand with way too much to do. And this is only one of his two full-time jobs, which suggests that he may not be paid well enough for the heroic services he renders.

It is worth noting here that, while the full-time staff is simply excellent, there are not enough of them to fulfill the service demands of such a large institution, which is often forced to hire outside contractors — both skilled nurses and unskilled aides — who do not know the residents or their needs. I have talked to some of these substitute contractors, and they report that they do not receive any orientation or instruction but are thrown directly into assignments without preparation of any kind.

Could your institution expand its wonderful full-time staff? Could some kind of orientation / instruction be offered to outside contractors if they have to be called in to fill gaps? I’m sure the contractors are well-meaning and hard-working, but nobody can do any job without some form of preparation.

4. How can communication & information exchange become seamless in the eldercare system?

When we had to move Dad from their independent living apartment to the skilled nursing facility, my brother and I sat down with your very responsive administrators to discuss Dad’s special needs — key among them, a “soft mechanical diet” of pureed foods and thickened liquids to prevent aspiration which is one of the chief causes of death among advanced Parkinson’s patients. They agreed, but the news somehow did not get to the skilled nursing staff. We had another meeting a week later to underscore the fact that the soft diet and thickened liquids are imperative. Even six weeks later, when an outside contractor nurse was on duty and tried to give Dad regular thin liquids, I discovered that the requirement for thickened liquids was not on his chart. She checked! It wasn’t there. We added it.

During the same period when Dad was moved to skilled nursing, Mother was rushed from the retirement community to the city hospital four times in six weeks, and twice hospitalized. If I or another family member had not been there to brief the emergency and hospital teams on the specifics of her condition, they would have been working blind with little information about her recent medical history, episodes, and general condition. She also has short term memory problems now, and besides, when she was taken to the hospital, she was not in any condition to answer any questions at all.

After her last hospitalization, Mom was released to the short-term skilled nursing facility on your campus, where she stayed for nine days. I found out near the end of that period that somehow, her Coumadin medication specifications had not followed her to the hospital and then to short-term skilled nursing, and they had stopped administering this very important heart condition medication!

Is there a way to be a lot more comprehensive about detailed communications and information exchange among the various wings of the eldercare and healthcare systems?

What other forms of communication and information exchange could be added to the current regime to enhance the quality of life for all residents and their loved ones and caregivers?

5. How will eldercare institutions appeal to rapidly changing future target markets?

I know that there are lots of conversations going on about this question throughout the eldercare world, because the administrations of these institutions see a tsunami of change coming: Boomers have not been able to save for retirement as successfully as their parents did, and often have very different hopes, needs, and expectations about the whole nature of retirement than did the Greatest Generation. Indeed, we Boomers tend not to think of ourselves as “retiring” but as transitioning to a new lifestyle in which we will have the opportunity to fulfill new missions and realize some of the dreams we were not able to pursue during our professional years. We tend not to envision ourselves in a standard retirement community, because that model looks limiting and narrow to us. Many of us want something that seems more like the “real world” and less like what I have called “The Disneyland of Death.”

We wish our American society might wake up and understand how much experience, expertise and, yes, wisdom, we have acquired over a lifetime of hard work, and value what we have to contribute. In short, many of us want to be more fully integrated into society instead of being cordoned off in beautiful warehouse facilities for the elderly. We know that we have a lot to offer and we intend to do so. As I think about my own very diverse group of friends, I believe they would ask questions like these:

  • Where is the diversity in retirement communities? Why are there no Black, Asian, Hispanic, or Gay, residents? Why don’t the campus demographics look more like the rest of America?
  • If I lived there, where would I make my huge sculptures and paintings?
  • How would I be able to build rooms onto my dwelling? I can’t live without building things!
  • Where would I rebuild my race cars and work on my motorcycles?
  • How could I start my new cottage industry and sell my products?
  • Where would my rock band practice for many hours every week?
  • How could I keep all of my animals and plants?
  • How could I have a garden and put up a pantry of canned and preserved foods?
  • The doors to the independent living apartments are locked at 8:00 pm! How am I going to have a night life and bring guests home if I can’t get in after 8:00 pm? I’m NOT a child!
  • What if I want to host a seminar or symposium or a big family reunion or a political rally or a church event and have lots of guests for a whole week?
  • Can my spouse and I stay together even after our medical needs diverge?
  • Will my same-sex spouse and I be accepted in this retirement community?
  • I haven’t saved enough money for retirement. Do you have any options for me?
  • How can I retain control and autonomy over my own life all the way to the end and be allowed to die the way I want to die? I insist on the most fulfilling death possible for me.
  • Can I stay at home with access to increased healthcare and other services?
  • I don’t want to live in an “old folks home,” but I know I’m going to need some kind of help. What are my options? Aren’t there any other models of eldercare that I can consider?

Potential Next Steps and an Offer

As previously advertised, this letter contains lots of questions and not many answers. However, aren’t some of the solutions implied in the questions? I think they are. And if you pose these kinds of questions to a diverse group of stakeholders – your own administrators, staff, independent contractors, suppliers, residents, their families, prospective customers, and outside experts – in a multi-day ideation session, you will begin to hear some innovative concepts for new and exciting approaches to eldercare.

This is clearly beyond the scope of your current survey, but if you are interested in taking a next step toward exploring new forms and approaches to your products and services for the future, my brother and I have been offering those kinds of ideation programs to Fortune 500 companies and other institutions for well over 25 years, and we would be glad to be of service. Some of our team would stay out of content to facilitate the innovation session, and others would sit with the participants and offer ideas to add to the mix. Of course, your decision-makers would make the final selection of a set of ideas to develop for further consideration.

Finally, if your administration would like to discuss any of these questions, ideas and proposals further, please feel free to respond to this letter or give me a call. I wish you all the best in your survey. I am confident that current residents will respond very positively. The themes explored in this letter are primarily focused on how to appeal to future target markets.

Sincerely, — Kevin

Post Script: Two staff members acknowledged receiving my letter, but no further discussion of the letter was pursued. I continue to wonder, “Can’t we do better?”

“UTOPIA and APOCALYPSE” — Kevin L Miller Retrospective at Manchester University until Dec 4, 2013, about Life on Earth Imperiled by Climate Change

by Kevin L Miller

“The Flood,” 4x4 ft apocalyptic oil painting on canvas, Kevin L Miller, 2013

“The Flood,” 4×4 ft apocalyptic oil painting on canvas, Kevin L Miller, 2013

Deep in the Pennsylvania woods at the dead end of our dirt road, Robert Allen and I share a shabby old trailer house painting studio, a 150-year-old barn art gallery, and a hunting cabin slowly evolving into a cottage, on 12 wooded acres with a pond and stream. This is paradise and we love it. (http://tinyurl.com/nl6s9nm)

A few nights ago I dreamt that Robert and I were in a rowboat with our good friends Susan Finn and Jerry Lee Miller. We were all looking down through the water at the White House submerged below us. We were also congratulating ourselves on managing to procure our little boat, until we looked up and saw a mile-high wall of water racing toward us at top speed from the horizon. The End.

“Check,” lower left corner detail from “The Flood,” Kevin L Miller, 2013. I have grown impatient with subtler communications when it comes to climate change, because our window of opportunity to fix it is closing. Time’s up! So now I try to spell out exactly what my paintings mean. I hope this check does the trick.

“Check,” lower left corner detail from “The Flood,” Kevin L Miller, 2013. I have grown impatient with subtler communications when it comes to climate change, because our window of opportunity to fix it is closing. Time’s up! So now I try to spell out exactly what my paintings mean. I hope this check does the trick.

Robert and I both have one-man shows right now, across the street from each other at Manchester University, in North Manchester, Indiana. You can see my photo essay about Robert’s very popular show, “PLEASE TOUCH THE ART!” at http://tinyurl.com/mtyyrf5 .

"UTOPIA and APOCALYPSE -- Seven Decades Re-Imagined -- Kevin L Miller Retrospective at Manchester University, Gallery G, The Union, upper level, until Dec 4, 2013. Left to right: The Flood, Faucet Head, Magna Mater.

“UTOPIA and APOCALYPSE — Seven Decades Re-Imagined” — Kevin L Miller Retrospective, Manchester University, Gallery G, The Union, upper level, until Dec 4, 2013. Left to right: The Flood, Faucet Head, Magna Mater.

Over a year and a half ago we were invited to produce our tandem shows. I vacillated for a year about the theme for my exhibit. Finally I decided on Global Climate Change, when I realized that I have painted utopian visions and the great flood apocalypse throughout my life. That mile-high wall of water coming at us haunts me. Can’t we try to do something about it? There is still a little time. Isn’t there a moral imperative to save life on Earth?

“Hawaii,” 4x6 ft utopian enamel painting on clear vinyl, Kevin L Miller, c 1991

“Hawaii,” 4×6 ft utopian enamel painting on clear vinyl, Kevin L Miller, c 1991

The Earth is exquisitely beautiful, precious, special and rare. Astronomers and physicists searching the universe for other planets that might support life are telling us that worlds blessed with exactly the right narrow band of conditions for life are indeed extremely rare. Now our Earth-home is in jeopardy from human pollution, causing Global Climate Change. We live in peril of losing our habitat and our health, and endangering the lives of our children and grandchildren if we do not transition to clean energy quickly and stop four kinds of increasingly extreme removal and burning of fossil fuels:

  • Fracking for natural gas
  • Deep sea oil drilling
  • Mountaintop removal coal mining
  • Tar sands exploitation and piping
“Requiem,” 4x7 ft acrylic on canvas, Kevin L Miller, 2013 -- an apocalyptic painting including three quotes from Michelangelo’s Sistine Chapel Ceiling.

“Requiem,” 4×7 ft acrylic on canvas, Kevin L Miller, 2013 — an apocalyptic painting including three quotes from Michelangelo’s Sistine Chapel Ceiling.

Extreme extraction methods and fossil fuel burning are filling our atmosphere with CO2, now alarmingly over 400 parts per million, whereas our environment can only withstand 350 ppm without disastrous consequences, which are already upon us:

  • Earth’s polar ice caps and glaciers are melting at a catastrophic rate.
  • Greenland is melting and experiencing ominous internal seismic activity.
“Poseidon’s Prophecy,” 4x7 ft oil on canvas, Kevin L Miller, 2013. King Neptune brings apocalyptic news from the oceans to the utopian woodland spirits.

“Poseidon’s Prophecy,” 4×7 ft oil on canvas, Kevin L Miller, 2013. King Neptune brings apocalyptic news from the oceans to the utopian woodland spirits.

  • Our oceans are now 30% more acidic due to CO2 dissolving into the water. Coral reefs are dying. We are losing them as marine habitats and coastal flood control barriers.
  • 40% of Earth’s sea plankton, the base of our oceanic food chain, has already died. The food chain is fundamental.
  • Earth’s atmosphere is now holding 5% more moisture, and extreme weather and precipitation events are on the rise. We have “100-year storms and floods” every year now, like Super Storm Sandy a year ago. https://twooldliberals.wordpress.com/2012/11/04/mother-nature-sends-sandy-to-make-climate-change-a
“The R.L. Miller Farm,” watercolor, Kevin L Miller, 1966 (age 17,) depicts our family ancestral farm as it looked when I was a boy.

“The R.L. Miller Farm,” watercolor, Kevin L Miller, 1966 (age 17,) depicts our family ancestral farm as it looked when I was a boy, and when my father, uncle and aunts grew up there, just outside of North Manchester, Indiana, home of Manchester University.

  • The U.S. Midwest experienced the most severe drought in American history in the summer of 2012, and American food prices rose steeply as a result.
“Drought and Gathering Storm," Kevin L Miller, 2013, digital re-imagining of the R.L. Miller Farm, as it might have looked in the great drought of 2012, if the full-timber black walnut barn had not been demolished.

“Drought and Gathering Storm,” Kevin L Miller, 2013, digitally re-imagined version of the R.L. Miller Farm, as it might have looked in the great American drought of 2012, if the full-timber black walnut barn had not been demolished.

  • Biologists and zoologists tell us that there are no longer any climate change doubters in their ranks, as they are witnessing virtually all animals and insects moving north and to higher elevations in search of cooler climes.
“Firebird Visit’s the Elders,” 3x4 ft acrylic on canvas, 2-artist collaborative painting by Robert F Allen and Kevin L Miller, signed “Allen Miller,” illustrating both the utopian nature of Earth and the peril from climate change.

“Firebird Visit’s the Elders,” 3×4 ft acrylic on canvas, 2-artist collaborative painting by Robert F Allen and Kevin L Miller, signed “Allen Miller,” illustrating both the utopian nature of Earth and the apocalyptic peril from climate change.

Indeed, 97% of the world’s climate scientists and all 12 national academies of science, and the World Bank (http://tinyurl.com/k397rjf), and the United Nations International Panel on Climate Change, and Pope Francis I in the Vatican (http://tinyurl.com/kjwl2eo – the pope’s quote is at the end) are among a host of institutions raising the urgent alarm for action. 

“The Musician and the Tree of Life” 4x4 ft acrylic on canvas, Kevin L Miller, 2013, depicts the joys and burdens of an artist (in this case the Rev Jerry Lee Miller) coping with both the ecstasy of living in utopia, and the agony of expressing prophetic statements and art about the impending apocalypse, while making every effort to save the Earth for the children of tomorrow.

“The Musician and the Tree of Life,” 4×4 ft acrylic on canvas, Kevin L Miller, 2013, depicts the joys and burdens of an artist (in this case the Rev Jerry Lee Miller, musician and climate change activist) coping with both the ecstasy of living in utopia, and the agony of expressing prophetic statements and art about the impending apocalypse, while making every effort to save the Earth as a livable home for the children of tomorrow.

Time’s up! Now we really do have to transition quickly from fossil fuels to clean renewable energy and save the Earth as a livable habitat for all life forms. If we do not do so, what will we tell the children of tomorrow when they ask, “Why did you do this to us?” (lyrics from Jerry Lee Miller’s song, “Children of Tomorrow.”) What will you tell your children and grandchildren?

“Time’s Up,” marker poster on paper, Kevin L Miller 2012 -- responding to the July 19, 2012 Rolling Stone article, ( http://tinyurl.com/okyz2nc ) “Bill McKibben’s Terrifying New Math,” this poster was one of many created for the Lancaster, PA, brainstorming effort to form “The HIVE of Planet-Loving Activity” (See our FaceBook page) to take creative action and support all efforts to halt Global Climate Change.

“Time’s Up,” marker poster on paper, Kevin L Miller 2012 — responding to the July 19, 2012 Rolling Stone article, “Bill McKibben’s Terrifying New Math,” this poster was one of many created for the Lancaster, PA, brainstorming effort to form “The HIVE of Planet-Loving Activity” (See our FaceBook page) to take creative action and support all efforts to halt Global Climate Change.

Rolling Stone’s July 19, 2012 article “Bill McKibben’s Terrifying New Math,” awoke people around the world to the greatest survival challenge humanity has ever faced. http://tinyurl.com/okyz2nc 

  1. The Earth can only withstand 2 degrees Celsius warming without disastrous consequences, and we are almost there when the inertial rise built into the system is factored in.
  2. We can release a maximum of 565 Gigatons of CO2 into the atmostphere by 2050, but at our current rate, we will reach that ceiling in 2028 — only 15 years from now. 
  3. Companies and countries have already committed to extracting and burning 2,795 Gigatons of CO2 locked in proven fossil fuel reserves — five times the allowed limit.
Left to right: Firebird Visits the Elders, Hawaii, and Requiem are part of Kevin L Miller's retrospective at Manchester University, "UTOPIA and APOCALYPSE."

Left to right: Firebird Visits the Elders, Hawaii, and Requiem are on exhibit in Kevin L Miller’s retrospective at Manchester University, “UTOPIA and APOCALYPSE.”

The good news is that there is still a little time to turn this planetary crisis around, and there really are things that each of us can do. None of us has to save the world all alone. If all of us do our own little part — even if we do it badly — humanity will achieve critical mass for a change in consciousness and behavior, and we can leave a livable planet for future generations.

  • Can we buy an electric or hybrid car and use less fossil fuel? I know… Those cars are way too expensive for most of us…
  • Well, are we willing to become vegans or vegetarians? That’s one of the most effective things we can do to shrink our individual carbon footprints. But lots of us really love meat…
  • So, can we buy local products to reduce carbon emissions from shipping? That practice helps local economies, too.
  • Are we willing to write letters to public officials and call our congressional representatives? Or, if solitary action to speak truth to power makes us a little too nervous…
  • Can we join organizations like The Sierra Club, or 350.org, or Citizens Climate Lobby and support them with our resources and participation in their events?
  • Are we qualified to plan and facilitate community discussions on climate change? (http://tinyurl.com/lf3xdqm)
  • Are we willing to start our own local organization with friends? If so, here are some notes about how 13 of us started The HIVE of Planet-Loving Activity. (http://tinyurl.com/149g7lm)
  • Can we talk to institutional leaders about divesting from coal and other fossil fuels? If direct one-on-one talks with authority figures are too intimidating for some of us…
  • Are we willing to write letters to the editors of our local newspapers and urge others to do the same?
  • Can we start a climate change blog and open a larger dialogue?
  • Are we qualified to write poetry or plays, or to compose music, or dance, or paint, or make art of any kind about climate change? Art is a very powerful tool for transformation.
  • Do we know how to make a climate change quilt or bake a climate change cake, or create a T-shirt featuring “Don’t Frack Up the Earth!” as a slogan?
  • Can we urge our churches, colleges and universities and local or state governments to become involved?
  • What else are we willing to do to wake up the world and inspire everyone to take action urgently?
“The Revelations of Eve and Adam,” 16” x 20” acrylic on canvas, 2004, Kevin L Miller

“The Revelations of Eve and Adam,” 16″ x 20″, an acrylic utopian painting on canvas, 2004, Kevin L Miller

When we decide to take creative action on behalf of Mother Earth and the children of tomorrow, we find that we are not alone. Some corporations are beginning to realize, as I have been telling them for 15 years, that extinction is NOT good for profits! They are starting to take strategic action to save their bottom lines and ours. Even the Department of Defense has identified Global Climate Change as one of the greatest threats to U.S. security, and is transferring military operations to clean renewable energy sources, especially in the field. Nations like Germany and Spain and others are quickly getting off of fossil fuels and transitioning to solar, wind, geothermal and other clean energy sources. Cities, communities, and churches are taking leadership roles in creative action to save life on Earth.

“Woodland Spirit Guides,” 4x4 ft oil on canvas, 2010, Kevin L. Miller

“Woodland Spirit Guides,” 4×4 ft oil on canvas, 2010, Kevin L. Miller

There is a major benefit that comes with creative action to heal the Earth — It also heals us in the process. Fifteen years ago when I learned that the polar ice caps were melting due to climate change caused by humanity, I struggled with depression and nausea for a year. It took more years for me to discover that creative action is soul-healing medicine. Sometimes it feels like we have to choose between denial and depression. But there is a third way — creative action overcomes denial and depression and leads to fulfillment.

A display of Kevin's "Provence Style" landscapes is part of his retrospective. This style evolved out of his junior year abroad in Aix-en-Provence, France, and his studies at the Ecole des Beaux Arts there, as well as his interest in Cezanne, Van Gogh, and Picasso.

A display of my “Provence Style” landscapes is part of the retrospective. This style evolved out of my junior year abroad in Aix-en-Provence, France, and my studies at the Ecole des Beaux Arts, as well as my interest in Cezanne, Van Gogh, and Picasso.

Today I know that even spending a whole year making apocalyptic paintings yields nothing but increasing inner joy and peace. Rest assured that when you decide to take creative action, you will find that depression, denial, anger, fear and grief, will be transformed into fulfillment, clarity, peace, confidence and joy, and you will have the personal satisfaction of knowing that you have done the right thing, regardless of the outcome.

The Kevin L Miller Retrospective, "UTOPIA and APOCALYPSE -- Seven Decades Re-Imagined" is on exhibit in Gallery G, The Union upper level, at Manchester University, until Dec 4, 2013 (photo by Alison Stein)

The Kevin L Miller Retrospective, “UTOPIA and APOCALYPSE — Seven Decades Re-Imagined” is on exhibit in Gallery G, The Union upper level, at Manchester University, until Dec 4, 2013 (photo by Alison Stein)

Robert F Allen, Outsider Artist, Rocks Manchester University with His One-Man Show, “PLEASE TOUCH THE ART!” THROUGH NOV 19, 2013

by Kevin L Miller

Outsider Artist, Robert F Allen with two of his most recent 2013 paintings: 4x8 ft "A Winter Walk," and 4x7 ft "Escape!" Both acrylic paintings on canvas are among 44 of Robert's large works on display at Manchester University, North Manchester, Indiana, in Link Gallery, Winger Building (across the street from The Union) until Nov 19, 2013.

Outsider Artist, Robert F Allen with two of his most recent 2013 paintings: 4×8 ft “A Winter Walk,” and 4×7 ft “Escape!” Both acrylic paintings on canvas are among 44 of Robert’s large works on display at Manchester University, North Manchester, Indiana, in Link Gallery, Winger Building (across the street from The Union) until Nov 19, 2013.

Robert feels his way across a highly textured 4×7 ft canvas, “The Story,” at the artist’s reception for his very first one-man show. He tells visitors they can “see” his paintings through their fingertips as well as with their eyes. A mature woman in the group says,  “What are you DOING!?” Her husband stands behind her and rolls his eyes as if to say, “Here we go again…” Robert says, “Ma’am, you can touch the art. I give you my permission.” She asks, “Who do you think you are?” Robert says, “I am the artist.” She demands, “Do you have any identification?!” Another person in the group is holding a copy of Robert’s artist’s statement. Pointing to the photo of himself, Robert says, “See! This is me, and the show is called ‘PLEASE TOUCH THE ART!’ You can touch my art.”

"The Story," 4x7 ft acrylic on canvas by Robert F Allen, 2013. After studying some photos of cave paintings, Robert created this image about a hunt. He says that the upside-down golden bear escaped the arrows with the help of its protector god, left of the bear. The hunters on the right side of the canvas did not fair as well as the bear.

“The Story,” 4×7 ft acrylic on canvas by Robert F Allen, 2013. After studying some photos of cave paintings, Robert created this image about a hunt. He says that the upside-down golden bear escaped the arrows with the help of its protector god, left of the bear. The hunters on the right side of the canvas did not fair as well as the bear.

The lady backs away mortified, but her husband approaches Robert’s painting and runs his hand from one side to the other, calling to his wife, “Sometimes you have to touch the art to know it is really there!” Later Robert tells me that he feels nothing but gratitude toward the lady, “because she was only trying to protect my art.” He admits to watching her out of the corner of his eye, however, and feeling sorry for her when she tries to touch “A Winter Walk,” but cannot bring herself to do it.

"A Winter Walk," 4x8 ft acrylic on canvas, 2013, Robert F Allen. Under both the moon and the sun, in a wintry cityscape, Robert's beloved Cairn Terrier, Scrappy, takes a purposeful walk toward a fire hydrant.

“A Winter Walk,” 4×8 ft acrylic on canvas, 2013, Robert F Allen. Under both the moon and the sun, in a wintry cityscape, Robert’s beloved Cairn Terrier, Scrappy, takes a purposeful walk toward a fire hydrant.

The programming that keeps us separate from art is very strong. From birth we are taught a certain reverent respect for art that requires us to keep our distance. Outsider artists do not mean to be subversive, or anti-authoritarian, but by their very nature they tend to tear down the barriers between those who make objects and anyone who sees and responds.

Robert F Allen with his 4x8 ft 2013 acrylic on canvas, "Matter of the Heart" and other paintings in his Manchester University exhibit.

Robert F Allen with his 4×7 ft 2013 acrylic on canvas, “Matter of the Heart” and other paintings in his Manchester University exhibit.

Outsider artists don’t think of the objects they make as untouchable “objets d’art,” as does the art establishment. They regard making things as being like breathing and eating — a matter of survival, and they often don’t think of their work as “art” at all – just “things.” Outsider artists have almost always been insulated from social and cultural conditioning by profound poverty or physical or mental challenges. In the absence of societal conditioning they follow only their own unique inner visions, which sometimes produce surprising aesthetic innovations and revelations.

Visitors of all ages enjoy touching Robert's art. Children especially want to place their hands on the hand prints in the design of "The Story."

Visitors of all ages enjoy touching Robert’s art. Children especially want to place their hands on the hand prints in the design of “The Story.”

Robert had all three forms of deprivation and more. When he was an infant, his older sisters mistook motor oil for mineral oil and poured it into his ears, destroying his eardrums. He hears a little now with the aid of a mechanical eardrum, but communicates mostly by reading lips. He grew up in profound poverty in the woods 50 miles north of Syracuse, surviving on government assistance and woodland foraging. His family was so dysfunctional and abusive that Robert moved out at age 12 and built his own little shelter in the woods. He lived there for years with his beloved raccoon, “Cooner,” whom he raised from infancy after Cooner’s mom was killed crossing the road. Cooner came to Robert and asked for help, so Robert adopted him.

"The Last Supper," 4x7 ft acrylic on canvas, 2013, Robert F Allen. The background was painted first. Then Robert stared into it until the images of the animals materialized out of his random marks and shapes.

“The Last Supper,” 4×7 ft acrylic on canvas, 2013, Robert F Allen. The background was painted first. Then Robert stared into it until the images of the animals materialized out of his random marks and shapes.

Robert’s skills with animals are legendary. I have personally seen wild raccoons, rabbits, frogs, and even fish, crawl or swim into his hands, looking for comfort. On a pitch black moonless night in the woods, Robert can see wild woodland animals right around the corner or over the hill. He “feels” them. Robert says he has special animal radar. It’s real. I have witnessed it.

"Neon Dream," 4x8 ft acrylic on canvas, 2013, Robert F Allen

“Neon Dream,” 4×8 ft acrylic on canvas, 2013, Robert F Allen

At age 13 Robert suffered a major traumatic brain injury when his crazy step-father dropped a big tree on his head. The doctor said Robert would not survive the night. He did live, although large portions of his brain died. Reading and writing have presented real challenges for Robert ever since. But as sometimes happens with severe brain trauma victims, Robert developed almost savant-like powers driven by the remaining areas of his brain. He has a collection of 300 Rubik’s cubes, half of which he made himself, and he can solve any of them in under two minutes. His spatial intelligence is off the charts.

Robert is displaying 16 of his 4x6 ft abstract expressionist canvases in four art pillars as part of his Manchester University show.

Robert is displaying 16 of his 4×6 ft abstract expressionist canvases in four art pillars as part of his Manchester University show.

These unusual skills came in handy during eight years in the U.S. Marine Corps, serving in the Philippines, Bangladesh, Japan, and the USA. Robert has always said that the USMC was a Sunday school picnic for him after his abusive childhood. He figured out how to fake the hearing tests and he never told the USMC about his severe brain trauma. Interestingly, the profile of many outsider artists often includes a significant period of time in the protective custody of an authoritarian institution. The USMC was “protective” by comparison with Robert’s family.

Robert F Allen (center) greets visitors at the Oct 5, 2013 artist's reception for his one-man show "PLEASE TOUCH THE ART." The exhibit continues until Nov 19, 2013.

Robert F Allen (center) greets visitors at the Oct 5, 2013 artist’s reception for his one-man show “PLEASE TOUCH THE ART.” The exhibit continues until Nov 19, 2013.

Robert has always made beautiful objects. For decades he was a master carpenter and woodworker, making exquisite inlaid, hardwood furniture and floor medallions. He never thought of himself as an artist until we traveled to France with friends, and he saw objects at Versailles like he made at home. I was one of three friends present, in the company of the ghost of Marie Antoinette, when Robert’s eyes grew huge and he slowly turned and said with utter amazement, “I am an artist!” His inlaid hardwood art became even more ornate after that.

Close-up detail from "Neon Dream," 4x8 ft acrylic on canvas, 2013, Robert F Allen

Close-up detail from “Neon Dream,” 4×8 ft acrylic on canvas, 2013, Robert F Allen

A few years later I was laboring over a lousy, tiny painting at the kitchen table on a quiet Sunday. Bored with mindless TV, Robert picked up a blank canvas and a brush and asked me, “How do you do this?” I didn’t even look up. I said, “Oh, it’s easy. You just put some paint on the brush and wipe it on the canvas.” That was the first, last, and only formal art education Robert ever received. He took off like an art bat out of painters’ hell. I couldn’t have gotten a word of instruction in edgewise, even if I had wanted to. Robert started painting in every spare minute. To say that he has painted prolifically ever since, would be a monumental understatement. He has crammed a lifetime of painting experience into five years. He paints with the reckless abandon of a dying man, the exuberance of a drunken sailor, and the honesty of an ecstatic monk. Far from needing any instruction whatsoever, Robert has been my teacher ever since he first picked up that canvas and brush years ago. I am learning from him.

Two weeks after "PLEASE TOUCH THE ART" was installed at Manchester University, 1,600 students, K - 3rd grade, visited Link Gallery and had close encounters with art. In this photo they are touching Robert F Allen's 4x7 ft 2013 acrylic on canvas, "Escape!"  The exhibit continues until Nov 19, 2013.

Two weeks after “PLEASE TOUCH THE ART” was installed at Manchester University, 1,600 students, K – 3rd grade, visited Link Gallery and had close encounters with art. In this photo they are touching Robert F Allen’s 4×7 ft 2013 acrylic on canvas, “Escape!” The exhibit continues until Nov 19, 2013.

Robert and I have had quite a few two-man shows and even ran a big art gallery together for a year and a half, but “PLEASE TOUCH THE ART!” at Manchester University in North Manchester, Indiana, is his very first one-man show, and it is a hit. A few weeks ago 1,600 school children, K – 3rd grade, toured Robert’s exhibit in small groups. They were very excited about being able to touch the paintings. Art Professor Jena Oke asked one group, standing in front of “The Last Supper,” what the artist was trying to say. They yelled, “HE LIKES ANIMALS!” She asked, “What else is he trying to say?” They yelled, “HE LIKES PAINT!” Jo Young Switzer, Manchester University President, asked one child what it was like to touch a painting. The wide-eyed child said, “It was bumpy!”

Detail from the center of "Neon Dream," 4x8 ft acrylic on canvas, 2013, Robert F Allen

Detail from the center of “Neon Dream,” 4×8 ft acrylic on canvas, 2013, Robert F Allen

Equally important was the response of the MU art students to Robert’s one-on-one portfolio review conversations with them. Robert kept saying, “This is amazing. These people ask me questions and listen to me as if I actually know things!” For their part, the students told their professors that Robert was one of their favorite visiting artists ever, because he treated them like “actual artists” and talked with them like “real people.”

"Matter of the Heart," 4x7 ft acrylic on canvas, 2013, Robert F Allen

“Matter of the Heart,” 4×7 ft acrylic on canvas, 2013, Robert F Allen

After a week of gratifying events, including the opening for his first one-man show, Robert was already feeling that he did not want to leave North Manchester. Several art students made his departure even harder a day before he left, when they came to him and asked privately if he would consider making the 1,200 mile round trip to return from South Central PA to attend their senior shows in Indiana next winter. Robert is definitely considering it… if he can get time off from his overtime job as a USPS clerk. Meanwhile, he just finished a majestic new 4×8 ft canvas of a forest — five highly textured trees on a colorful leafy background, and he has plans for at least five other huge, textured canvases burning holes through the screen of his mind.

"Escape!" 4x7 ft acrylic on canvas, 2013, Robert F Allen

“Escape!” 4×7 ft acrylic on canvas, 2013, Robert F Allen

It is understandable, when we consider the life story and work of Robert F Allen, that the art world is becoming more and more fascinated by outsider artists. We all still worship Leonardo and Michelangelo. We idolize Rembrandt, Van Gogh and Picasso, and admire the intellectual depth and innovation of Diebenkorn and Motherwell. But for sheer honesty, joy, energy and a breath of fresh air, nothing beats the sincere creations of an outsider artist like Robert.

Allen MU Sept 26 kids visit 1

“PLEASE TOUCH THE ART! – Texture Is Part of the Experience,” a one-man show of paintings on canvas by Robert F Allen will be on exhibit in Link Gallery, Winger Building (across the street from The Union,) Manchester University, North Manchester, Indiana 46962 until Nov 19, 2013. For gallery information, contact Professor Jena Oke, Coordinator of Galleries, 260-982-5334.

(My thanks to Jena Oke and Alison Stein for their essential support of our MU art exhibits and for contributing photos to this post. — Kevin)